A man's dying is more the survivor's
affair than his own.
Thomas Mann
Lonely against dry grasses and blue sky |
Ghost bike shrine |
Over time, they have become cultural
icons. Part Mexican-influenced form of recognized
folk art and part expression of faith, they have evolved from the
Spanish-Catholic traditions brought to the New World by early missionaries and
settlers. They mark the sites of fatal
accidents and other tragedies that happened away from home. There are even some shrines underwater, on mountain
tops, or in deep ravines.
Unlike headstones which mark where a
body is laid, shrines mark the place the misfortune (murder, bombing,
kidnapping, hostage, etc.) happened, not necessarily where the people
died. If that were the case, shrines
would fill hospitals, ambulances, and clinics.
Capillita near Nogales, Mexico |
There are two theories as to how they began in Mexico:
- In the old days, funerary processions where a group would proceed from church to graveyard carrying a coffin, the bearers would take a rest (descanso), and where they set the coffin down, a stone would be placed so others would remember to pray for the deceased. At each rest, there was time to contemplate death. Stones eventually gave way to crosses.
- As soldiers died while making their way across Europe, crosses were erected to mark their passing. Catholic conquistadors brought this tradition into North America, marking graves of their fallen. To bury someone (probably not just soldiers) where they fell on a journey was practical and necessary.
I think I prescribe
to the second one, it makes more sense to me but take your pick.
The simplest of shrines |
With nearly 30-35,000 (as high as 53,000 before safety
belts and air bags added to cars) travel-related deaths/year, roadside
memorials have increased at an alarming rate and states in the US are now
having to enact laws concerning them. Those
opposed find the memorials morbid, a dangerous distraction and hazard to
drivers, and a problem for state road workers in maintaining the roadways and right-of-ways
clear of debris and disturbances. Many are
against special exemptions being given for roadside memorials when the law bars
all others from placing signs, advertising or promotions on public property. Another
problem stems from the use of public space for personal mourning and the
constitutional right of the separation of church and state, i.e. religious
symbols placed on state (public) property is being violated. (It doesn’t matter
if a Christian cross, Muslin crescent or Jewish Star of David would be used, it
is still in violation of the separation of Church and State.)
We see lots of multi-cross shrines |
- Some states will only allow a shrine if the death was due to drunk driving.
- Some states move the shrines to a special memorial garden.
- Some states will only allow a shrine for a specific amount of time.
- Some states will only allow one of their state-issued shrines, usually a sign that says please drive safely and “In Memory of…” with the name of the person who is being remembered on that sign.
- Some states will only allow shrines a certain distance from the road and of a certain size.
- Only New Mexico has laws stating they are approved and that it is a crime to deface them.
Roadside shrines are more a reflection of the persons
who made them, than of the person in whose memory they were erected. Roadside memorials are almost always
handmade, and they vary a great deal in form and style. They communicate an imagery and an
iconography which is not driven by (at least not yet), or even much affected
by, commercial or media influences.
Roadside tragedy |
Roadside shrines communicate something with a meaning
and emotional power that is hard to retain when flying by at 70 miles/hour. If/when taking the time to stop and stand in
front of them, they can help reset our sense of perspective or of what is
important and what is not. The true
power of roadside shrines is that they remind us of our mortality, and the
mortality of those we love.
Roadside shrines represent a very private experience,
and one can feel like an invader yet they are located in extremely public
spaces. Commonly facing the highways,
there is the expectation that they will be seen by the passerby.
Says a lot... |
There is no
"right" way to mourn. These memorials are reflections of
genuine emotions experienced by real people, and they are surely entitled to be
respected as such. They allow
families/friends to display their grief to the world. In respect, we never
touch them or alter them in any fashion.
Have to have a few with the Virgin de Guadalupe |
Spontaneous shrines with
no clear guidelines have certain common material elements, such as crosses,
flowers, candles, and objects linked to the deceased or the event that are left
at the site of the tragedy as ritual offerings. We have seen shrines with
anything from miniature corn stacks or saddles, to replica of 18-wheeler trucks,
to motorcycle helmets or boots, to beer or tequila bottles and side-view mirrors,
bumpers, or hubcaps.
Shrines emerge
spontaneously at the site of a tragedy, in many cases almost instantly. 95% of shrines are erected by family members,
and 80% by women. Every single person
interviewed believed that the shrine site was more significant than the
gravesite itself. Roadside shrines are a
meeting place for communication, remembrance, and reflection, embodying ongoing
relationships between the living and the dead. They are a bridge between
personal and communal pain and one of the oldest forms of memorial culture.
Cross and capillita |
Colorful capillitas |
They are morphing:
We now have the ghost-like phenomenon, where an old bicycle is painted white and
locked up at an accident site, serving the same purpose in relation to cycling
casualties.
The digital world offers a new grieving ritual
"cybershrines," or online photos of material shrines, memorial
webpages, and online condolence message boards and virtual candles. Cybershrines, or webpages contain photographs
of the material shrines, photo montages, and other associated images such as
lighting virtual candles and virtual condolence books. These flooded the internet by the hundreds
and perhaps thousands following terrorist attacks.
These spontaneous shrines are among the deepest
expressions of our shared humanity, combining ritual, pilgrimage, performance
art, popular culture, and traditional material culture. Think of the acres of
flowers and other memorabilia in the streets of London after the death of
Princess Diana, Elvis Presley's Graceland; the grave of Jim Morrison in Paris;
and throughout Corpus Christi, Texas, the home of slain Tejano music star
Selena.
Of the hundreds and hundreds of shrines we saw, only one had reflectors and could be seen at night.
Of the hundreds and hundreds of shrines we saw, only one had reflectors and could be seen at night.
Cactus shrine on the Baja side |
The media often uses the term "makeshift
memorial" to refer to these shrines. I believe that "spontaneous
shrines" is a more appropriate designation. Memorials are often intended
to be permanent and are aimed toward a future audience; spontaneous shrines are
ephemeral and have an immediate audience. Memorials are much more passive; the
spontaneous shrines are extraordinarily dynamic.
By embracing what is timeless, expansive, and
untouchable in them, we celebrate our own boundless perfection. Likewise, by
honoring their state of death, we acknowledge the fragility and temporality of
our own life. Whenever we see a little
family of crosses on the side of the road, we know to slow down- literally and
figuratively.
A good question to ponder: From a cultural and folkloric perspective, descansos mark an “interrupted journey,” a path (physical, spiritual or metaphorical) whose course has been altered (often by tragedy).
Even in accident-related descansos, there is controversy about who merits a memorial: Should it include the drunk driver who caused the accident or only his or her victims? Should a criminal and killer be memorialized?
"We who build
shrines and construct public altars or parade with photographs
of the deceased
will not allow you to write off victims as regrettable statistics…
They are, I
believe, the voice of the people."
Jack Santino
Jack Santino
Sources: Paul Mullins, Sylvia Grider, Alex Kerekes, and Rudolfo Anaya
Thank you for this!
ReplyDeletereally thoughtful and well written thank you, seeing more of this in rural Utah, was curious about the significance now I know.
ReplyDelete