Oct 9, 2023

Hanging Bridge, Farmstead, Pottery - Getxo, Arratia, Elosu - Basque Country

Knowledge speaks, but wisdom listens.

Jimi Hendrix

Ethnographic heritage of the Antzasti Farmstead
Antzasti = place of blackthorns and apple trees
Providing insight into traditional Basque rural life
The Basque House

The Basque house is perhaps better thought of in terms of a family seat, rather than a simple dwelling of bricks and mortar and for many Basques the mere thought of selling their home, or even a piece of their land, is shameful. In the old laws (fueros), the Basque etxea (home) had the same properties as an embassy or a church; it was out of the reach of the law and, if a family member was wanted for some serious crime, the police had no right to enter the house, having to sit out the long wait until the suspect deigned to appear.

As you walk through a Basque village you will see that almost no house shares a wall with another one even if the immense walls are just centimeters apart. Although this would have made economic sense, each ‘etxea’ is seen very much as its own very separate family entity; the land beneath the eaves is often the jealously-guarded property of the owners. 

Basque farmsteads are often quite small units as the terrain of the Pyrenees does not allow for large extensive farming. They would usually produce enough to provide for one extended family but little more: producing their own meat, vegetables, maize, milk and eggs and having their own source of wood. Each household made its own sheep’s cheese and bread and although, today, some buy sugar, oil and wine, these could easily be substituted by honey, animal fat and cider (the traditional Basque beverage) all previously produced on their own farm.

Traditionally, the Basque house is inherited by just one of the children, often, but not always, by the oldest boy. Although, in the past, tortuous negotiations would have taken place in the village plaza as the men tried to marry as many of their children as possible into family homes:  ‘If I let your daughter marry my son and give him my house, then I want you to marry your eldest son to my daughter so that she gets yours.’ And so on. It is of little surprise that the Spanish word to get married is ‘casarse’ (casa being home).

The rest of the siblings had to make their own way in life and although they were ensured a bed and food in the family home while they were single, many left the area to become soldiers, to find work in the Americas, or (more recently) the Alps or to become nuns or priests.  A father’s decision to send a son to a seminary to become a priest had very little to do with his religious inclinations and far more to do with the fact that the vicarage was the last free house in the village!

However, things are changing and the honor of being named as the sole heir to the family home is now considered a mixed blessing. Not only does the house come with all the farm work and the draining expense of upkeep and repair, but it comes with a long list of social responsibilities towards the family. The couple who inherits the house are not only duty-bound to look after the ageing parents but also to provide a bed and food for any other unmarried siblings. As there is a very high number of single men in the Basque country, apart from her own family, the poor wife may find herself providing for an army of parents, uncles and brothers in law. 

Today many of the youngsters opt to move into flats in the village and take up a routine job in a local factory rather than take on the institution of the Basque etxea.

If you are ever walking in the Basque countryside and come across an elderly person in their front yard, do take the time to ask them the name of their house and compliment them on how pretty it is. Their hard work and pride deserves recognition. It will be well appreciated!

Hanging Bridge

The Bizkaia Bridge, popularly known as the ‘Puente Colgante’ (hanging bridge), is considered the oldest transportation bridge in operation in the world.  That project was to answer the need to connect both banks at the mouth of the river Nervión without hindering navigation. 

Architect Manuel Alberto de Palacio Elisagüe was commissioned to build the bridge and was aided by the French specialist in suspended bridges Ferdinan Arnodin.  The bridge, 200 feet (61m) high and 525 feet (160m) long, was opened on July 28th, 1893, and since then it has transported vehicles, people, and goods in a suspended gondola to/from Portugalete and Getxo.  It was the first of its kind in the world and served as a model for some twenty more European and American bridges (in UK, Germany, France, Argentina). 

Architect Palacio Elisagüe spoke three languages Euskera, Castellano and French. His impetus for study led him to move to France, a country that at that time was at the forefront of the world of creative architecture. There he was marked by all kinds of influences that would give rise to the idea of ​​the Bizkaia Bridge that he designed at the early age of 31. Other notable works by Palacio Elisagüe are: The Bank of Spain in Madrid, the Crystal Palace in London, the Atocha Station in Madrid.  I have seen all of them without knowing they were from the same architect. 

We can say that today's bridge is practically the same as the one Alberto de Palacio Elisagüe dreamed of at the end of the 19th century. After 120+ years, more than 80% of its structure is the same as that built between 1890 and 1893. In addition, the restoration and maintenance work have strictly followed the original project concept.

In 2009, it provided uninterrupted service 24 hours a day, 365 days a year, with a daily average of 16,300 pedestrians and 1,200 vehicles.  It cost more for cows and horses to cross than for a person at a rate of about 3 to 1.

On July 13th, 2006, it was declared a World Heritage Site by UNESCO as it is one of the metal structures that best represents the industrial revolution and due to its innovative use of lightweight braided steel cables.  In addition, it successfully combines beauty and functionality.  Since it was first opened, it has become a symbol of the strength of the Biscayan metallurgical industry.  A lift in each tower and a high level walkway means that you can cross its upper deck and take in an exceptional view at 164 feet (50m) up.

In the same year that the bridge was erected, the Eiffel Tower was built in Paris, its constructive influence is evident in the lattice structure of the pillars. In 1912, a French aviation pilot named Beaumont flew under the crossbar for the first time during an air show.

Since 1893, the equivalent of the entire current population of the United States and the European Union combined (approximately 650 million people) have crossed the river on this bridge. The distance travelled by the gondola will have been 31 times around the world (2009 stats).

Barges, swing bridges, drawbridges... many options were considered to meet the challenge of joining the banks at the mouth of the Nervión. But only one design met the following requirements: not hinder navigation, allow the transport of passengers and goods, have a reasonable cost of execution and guarantee a regular service.

Last but not least, Ferdinand Arnodin.  In addition to being the co-author of the patent for the bridge, he was the creator of the cable ties that would definitively replace the chains of the previous bridges. These steel ties were baptized as 'arnodines' in honor of their creator. In addition, in France he earned the nickname 'the cable king' and is considered the sole designer and responsible for the hanging bridge system.

Bizkaia Suspended Bridge - 200 feet tall (63m), built 1893
Oldest in the world - still in operation
Gondola below, catwalk above
UNESCO World Heritage Site (2006)
Elevator to pedestrian catwalk 164 feet up (50m)
Old Port of Algorta

Known as the seafaring soul of Getxo, this tiny fishing village will win you over with its small white houses huddled together in very steep alleys in which old bars have survived the advance of tourism and time.  A great place to enjoy the views of the Bay of Abra, see beautiful sunsets, and taste delicious seafood.

The fishing village has been converted into a leisure and recreation area for locals and visitors.  It’s origins date back to the 12th century and is closely linked to the Port of Abra where sandbars made it difficult to navigate so ‘lemanes’ (experts of the seabed) helped boats avoid sandbanks when arriving to and getting out of Bilbao.  Still many ships wrecked and rescue teams were created to help out.  A long protective jetty was eventually built so this is not much of a problem anymore but the sea is still a strong part of the history of this place.  It is in people’s blood and culture.

Next door Getxo is a place where aristocracy had their summer homes.  The grand splendor of the industrial Basque bourgeoisie with its palatial architecture in eclectic styles can be viewed over 1.4 miles (2.3km).  

Palacio de Lezama Leguizamon - largest and most striking of homes here
Some of the most expensive homes are located in Getxo
Near the old Port of Algorta
El Arrantzale (fisherman) y la Sardinera (seller of sardines)
Sculpture in Old Port of Algorta
You can see the protective eguzkilore on the door and an upside down hand to its right
This hand represents the first time written Basque language was found
It was on a 2,100 year old piece of bronze in the shape of a hand like this one
2,100 year old hand with Basque writing - first and only find
with this old written Vasconic language.
Found hanging by the side of a doorway.

Antzasti Euskaldunon Etxea 

Antzasti is a time capsule that, through carefully decorated and contextualized settings, shows what life, leisure and work were like in the 19th and 20th centuries.

Two sisters, Cristina and Elena Amezaga, have created this small museum of enormous anthropological value called Antzasti Euskaldunon Etxea to explain everyday life and the role of women in town or country environments during that period of time.

Touring Antzasti, you are presented with two contrasting settings, one of a farmstead in Arratia (location of the museum) and one of a middle-class home in Bilbao, using a vast collection of locally obtained materials. 

Inside Antzasti Farmstead
Antzasti Farmstead - notice the pitchforks to the left
They grow and shape them this way
Antzasti Farmstead - Dining Room
Fog slowly lifting up over cut cornfield
Ollerias Museum, Basque Pottery

The Ollerias Museum was created with the aim of preserving the ancient craft of pottery from oblivion and of making popular Basque ceramics known.

The Basque Pottery Museum is in the Ollerías district of the town of Elosu. The Museum stands in a rural setting of great beauty between the Urkiola and Gorbea Nature Parks and on the banks of the Alava reservoirs.

The building is an old pottery factory which was rehabilitated and opened to the public in 1993, thanks to an ambitious integral recovery project undertaken by Blanka Gómez de Segura, the person who gave us the tour.

Built in 1711, the factory was the old pottery shop used by several generations of the Ortiz de Zárate family. In 1958, when the Urrúnaga reservoir was completed and the land from which the potters obtained their raw materials were flooded, they were forced to close down, with all the previously available clay now underwater.

An enormous old kiln is annexed to the building. It is square in shape and 18 feet (5.5m) high. Thousands of articles were fired in it over the centuries until it was lit for the last time in 1958. In 1993, it was included as a Monument in the General Basque Cultural Heritage Inventory.

From large vessels to pots, from roof tiles to bowls, from pitchers to cups, the museum shows more than 300 pieces of ceramic.  

Euskal Zeramika Ollerias (Basque Pottery)
Didn't know they 'staple' cracked jars to keep them usable a bit longer
Another jar with 'staple' holes
The metal having corroded away
Blanka Gomez de Segura is in charge of this Basque Pottery Museum
She is so nice and knowledgeable.
Pleasurable visit but thankfully I speak Spanish.
One of the interesting things Blanka explained to us is that homes could only have terracotta clay-tiled roofs if the person living there was the owner of the property.  For example, shepherds' shacks weren't allowed to have them.  

During the summer months, a complementary activity was carried out around the potteries: tile making. Groups of Asturians came to the potteries of the Basque Country and set up near them, using their own ‘terreros’ (pile of dirt) to extract clay and making tiles and/or bricks for construction by hand.

A few examples of terracotta clay tiles
A few of them marked with some types of identifications
I read another interesting Basque story about tiles while researching this post. About 80 years ago, a Basque woman was to stay indoors, in quarantine, for the 40 days that followed the birth of her child. If she ventured out, she was forced to wear a roof tile on her head. This way, she could justify that she was still under the roof of her house!
Outside of the pottery museum


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